Nicola Boccini is a versatile and eclectic artist. He studied art at the Academy of Fine Arts in Perugia (1994 – 1998), Koninklijke Academie voor Beeldende and Kunst in The Hague (1997). His in-depth study of Ceramic technology makes him an experimental artist and technologist. Experimentation and research is always present in his works, the different “mix” between metals and minerals, natural glazes and oxides make his works unique. His art is divided between ceramics, video, performance, oil on canvas and installations. In 1997 he created the CLS (Free Experimental Ceramics) international group which is active in the world of research and experimental ceramics. In 2001 he founded along with other artists, the international Ceramic Art School Romano Ranieri in Deruta. In the same year he won the first prize at the Festival of Polish theater and visual arts “Zdarzenia” and two years later he became the Festival’s artistic consultant for Italy. In 2009 received the European qualification as an expert in the restoration of ancient works. In 2010 he created art / r / evolution tour art exhibition (2010 – 2013) of experimental ceramic and wrote with his group the first Manifesto of ceramic “Work in Clay is different”. Since 2011 he has been the coordinator of the center for research and development of one of the oldest ceramic businesses in the world (founded in 1500) U.Grazia Deruta. 2013 he patented new techniques on ceramic called “Boccini’s techniques”. 2014 he selected for the Taipei Biennale at Yingge Ceramics Museum (terra nova TBC 2014) in Taiwan. 2015 partecipate to the Exhibition “La Ceramica Contemporanea in Italia” at National Gallery of Modern Art in Rome (GNAM). 2015 Selected 59th Faenza Price at the International Ceramic Museum in Faenza. 2016, US Embassy in Rome commissioned a large ceramic panel to the theater at Villa Taverna.
Since 2017 is teacher of ceramic&design at the Fine Arts Academy “Pietro Vannucci” of Perugia.
In the same year, the National Museum of G’dansk (Poland) chooses him to realize “The Last Judgment, inspired by Hans Memling (The Last judgment 1467) he realized a multimedia and interactive panel in bone china.
After creating ceramic 2.0, multimedia and interactive Ceramics in 2010, in 2016 he created Ceramica 3.0, a new concept and philosophy in organic ceramics.
He collaborates a great deal with research centres and art schools, both in Italy and abroad, and around the world with designers and architects of international renown. For him, ceramic material is ultra contemporary and creates performances and events.
ART WORK & STYLE
Creating for me means “research” of new techniques and solutions.
I never create a form or shape first and then apply the technique.
I always create the technique first and then the form.
Light and Shapes
Venice Biennale Architecture 2021
Venice Biennale Architecture 2021 22nd May – 21st November 2021 LANE LA VITA SOSPESA E L’ISOLAMENTO DELLA PANDEMIA, HANNO AMPLIFICATO LA LOTTA PERSONALE DELL’INDIVIDUO, PIU’ SOLO SULLA PROPRIA STRADA. IL FUTURO RISVEGLIO E’ DINAMICITA’, LA FIGURA FEMMINILE E’ LA VITA, IL COLORE E LA LUCE SONO SPERANZA, LA PORCELLANA COME FRAGILITA’, LA RESILIENZA Read more about Venice Biennale Architecture 2021[…]